A Moment That Moved Me
A time I made content that moved people, not just informed them.
The clearest example is the Senior Missionary Spotlights a series of documentary portraits I field-produced during my Media Producer years in Publishing Services. We traveled to Quebec, Santiago, the Navajo Nation, rural West Virginia, Kentucky, Washington, D.C., and Utah, documenting senior couples who had chosen to serve full-time missions in their later years.
With the Rattos
Senior Missionary Couple
What humbled me most was the sacrifice itself. These couples paid their own way. They arranged for someone to care for their homes while they were gone. They left children and grandchildren behind for eighteen months, two years, sometimes more. Then they showed up — to help families on the Navajo Nation, support missionary efforts in Santiago, archive records in Washington, D.C., and serve communities in rural West Virginia. They went wherever they were sent, and they brought their whole lives with them.
Navajo Nation · Field Producing
Chile · Field Producing
The series was part of a broader prophetic invitation. In the January 2011 Ensign and again in October 2012 General Conference, President Thomas S. Monson explicitly called for more senior couples to serve. The Spotlights were produced in that same window, with the hope that seeing real couples in real places might help other members imagine themselves answering that call.
Producing those stories taught me what Church media can be at its best. It is not merely a polished testimonial or a well-produced story. It can become evidence evidence of the transformation the gospel makes possible in ordinary lives. These senior couples were living proof that the love of God changes people: it enlarges their hearts, loosens their grip on comfort, and sends them outward to serve. Their stories showed the gospel in motion — disciples loving, serving, sacrificing, and being changed again through the very act of giving themselves away.
Field Producing · Chile
Senior Missionaries
I left every shoot more committed to the work because I had seen what sacred storytelling could carry. The camera was not simply documenting service; it was bearing witness to consecrated lives. The content did not just inform viewers that senior missions existed. It invited them to feel why such service matters, to see themselves in the story, and perhaps to ask whether the Lord might have a place for them in that same work.
That is the kind of content I want to create: work that does not simply explain the mission of the Church, but helps people see and feel what the gospel can do in a human life.
♫
We weren't just producing missionary content. We were producing evidence of the Gospel's transformational power.
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